Christopher Harris is a filmmaker whose films and video installations read African American historiography through the poetics and aesthetics of experimental cinema. His work employs manually and photo-chemically altered appropriated moving images, staged re-enactments of archival artifacts and interrogations of documentary conventions. His current project is a series of optically-printed 16mm experimental films in conversation with canonical works of African-American literature.
His international exhibitions include a career retrospective at the Belo Horizonte International Short Film Festival (Brazil), solo screenings at the Locarno Film Festival (Switzerland), Images Festival (Toronto), Encontro de Cinema Negro (Rio de Janeiro) and a solo performance at the Essay Film Festival (London); additional exhibitions include solo screenings at the Brakhage Center Symposium (Boulder, CO) and the Gene Siskel Film Center (Chicago, IL); a solo exhibition at the Wexner Center for the Arts (Columbus, OH); two-person screenings at the National Museum of African American History and Culture (Washington, D.C.) and UnionDocs (Brooklyn); and group screenings at the San Francisco Museum of Modern Art, the Art Institute of Chicago and the Artists' Film Biennial at the Institute of Contemporary Arts (London), the Ann Arbor Film Festival, the International Film Festival Rotterdam, the VIENNALE-Vienna International Film Festival and the Edinburgh International Film Festival, among many others.
Harris received a 2019-20 Artist Residency Award from the Wexner Center for the Arts and was a featured artist at the 2018 Flaherty Seminar, the recipient of a 2017 Alpert/MacDowell Fellowship and the recipient of a 2015 Creative Capital grant. Interviews with Harris have appeared in BOMB Magazine, Film Quarterly and numerous other print and online journals. Writing about his films has appeared in periodicals such as Cinema Scope Magazine and Millennium Film Journal, among others.