Faculty Publications


 

Selected Articles by Faculty:

Amad, Paula.  “Film as ‘the Skin of History’: André Bazin and the Specter of the Archive and Death in Nicole Védrès’s Paris 1900 (1947),” Representations 130 (Spring 2015): 84-118.

Newman, Kathleen.  “A Different Mexican Postcard: Fernando Eimbcke’s Lake Tahoe (2008).”  Studies in Spanish & Latin American Cinemas.  2015, Vol.12 (2). 159-175.

Creekmur, Corey.  “The Indian Graphic Novel,” in A History of The Indian Novel in English, ed. Ulka Anjaria.  New York: Cambridge University Press, 2015.

Ungar, Steven. “Walking with Hegel in Marseilles: Robert Guédiguian and Les Neiges du Kilimandjaro.” French Cultural Studies 25: 2014, 281-289.  

Creekmur, Corey.  “Multiculturalism Meets the Counterculture: Racial Difference in Underground Comix.”  In Representing Multiculturalism in Comics and Graphic Novels, ed. Ian Hague.  London: Routledge, 2014.

Ungar, Steven.  “Totally, Tenderly, Tragically . . . and in Color: Another Look at JLG’s Le Mépris.” In Tom Conley & T. Jefferson Kline, eds. A Companion to Jean-Luc Godard. Boston: Wiley-Blackwell (2014), 143-155.

Creekmur, Corey.  “Indian Film Noir.”  In International Noir, ed. Homer Pettey, Susan White, and R. Barton Palmer.  Edinburgh: Edinburgh University Press, 2014.

Amad, Paula.  “Visual Riposte: Looking Back at the Return of the Gaze as Postcolonial Theory’s Gift to Film Studies.” Cinema Journal 52.3 (Spring 2013): 49-74.  The Society for Cinema and Media Studies (SCMS) 2014 Katherine Singer Kovács Outstanding Essay Award.

Ungar, Steven. “Between the Essay Film & Social Cinema.” SubStance, no. 128 (2012), 3-5.

Amad, Paula.  “From God’s-eye to Camera Eye: Aerial Photography and Modernity’s Post-humanist Vision of the World.” History of Photography (Vol. 35: 1, 2012): 1-21.

Ungar, Steven.  “Out of the Past: The Perpetrator Portrait as Historical & Literary Exercise,” Yale French Studies, no. 121 (2012), 185-203.

 

Selected Books by Faculty:

Amad, Paula.  Counter-Archive: Film, the Everyday, and Albert Kahn’s Archives de la Planète.  Columbia University Press, 2010.

Ungar, Steven.  Cléo de 5 à 7. Paris: L’Arche, 2013.

Durovicova, Natasa and Kathleen Newman, co-editors.  World Cinemas, Transnational Perspectives. An American Film Institute (AFI) Film Reader.  New York and London: Routledge, 2010.  The Society for Cinema and Media Studies (SCMS) 2011 Best Edited Collection Award.

Creekmur, Corey and Linda Mokdad, co-editors.  The International Film Musical.   Edinburgh: Edinburgh University Press, 2012. 

Ungar, Steven.  Cléo de 5 à 7.  London: BFI Film Classics, 2008

Creekmur, Corey and Mark Sidel, co-editors.  Cinema, Law, and the State In Asia. New York: Palgrave Macmillan, 2007.

Andrew, Dudley, and Ungar, Steven, co-authors.   Popular Front Paris and the Poetics of Culture.  Cambridge: Harvard University Press, 2005

Ungar, Steven and Tom Conley, co-editors.  Identity Papers: Contested Nationhood in Twentieth-Century France.  Minneapolis: University of Minnesota Press, 1996.

Creekmur, Corey and Alexander Doty, co-editors.  Out in Culture: Gay, Lesbian and Queer Essays on Popular Culture.  Durham: Duke University Press, 1995.

Ungar, Steven.  Scandal and Aftereffect: Blanchot and France since 1930. Minneapolis: University of Minnesota Press, 1995.

Ungar, Steven.  Roland Barthes: The Professor of Desire.  Lincoln: University of Nebraska Press, 1983